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InitialsDiceBearhttps://github.com/dicebear/dicebearhttps://creativecommons.org/publicdomain/zero/1.0/„Initials” (https://github.com/dicebear/dicebear) by „DiceBear”, licensed under „CC0 1.0” (https://creativecommons.org/publicdomain/zero/1.0/)DC
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140
Joined
2 yr. ago

  • While I know this is done for humor's sake, I really love this critique.

    Similar to the Bechdel Test, this comesvery close to perfectly illustrating the Mako Mori Test:

    The requirements of the Mako Mori test are that a film or television show has at least one female character and that this character has an independent plot arc and that the character or her arc does not simply exist to support a male character's plot arc.[2]

    https://en.wikipedia.org/wiki/Mako_Mori_test

  • I would love to see what the fan edit looks like. I (re)watched it just last week and the theatrical cut is... a mess, to put it gently. There's almost too much going on, with not enough focus on the elements that make the story tick. But there's lots to work with here that would make a very high-production-value 50 minute Trek episode.

    Scotty and Uhura's flirting was cute, but it doesn't go anywhere so it's dead weight film-wise. But without it, the characters have even less to say in an already crowded story. It's just sad.

    One moment that stuck out to me was the bar fight. Kirk just tosses a Catian stripper, over his head, into a literal "pool" table and she's rendered dead/unconscious floating face down in the water. Either she has bones like a baby bird or Kirk is on 'roids. I can't make sense of that edit unless there was a longer fight that got chopped down somehow. It makes zero sense.

  • They make a nod to this on Lower Decks. The higher ranking officers have access to an entirely different replicator menu, suggesting a distinction in quality overall.

    Imagine eating the 140p food

    I would get tired of steamed bananas real quick. The guac and chips look okay though.

  • We need a “Star Wars Despecialized Editon” of Enterprise where the only thing they change is the theme song.

    If it helps at all, this was originally supposed to be U2's "Beautiful Day", but they couldn't get the rights to use it. It's still an abrupt shift in sytle and tone, but it fits the intro really well.

  • I like this take. Use him like you'd use a stunt coordinator, or a pyrotechnics specialist. Have a complex action scene that needs to convey action, chaos, high-stakes, and fireballs, for 12 straight minutes? He's your guy.

  • I'll add that this didn't start with the SW prequel movies either. The various essays on the topic typically focus on The Phantom Menace to make this case (see: Red Letter Media); we do love to hate on that movie. But if you look to early drafts of the very first Star Wars movie script, it's clear that it took a village to make it more than B-movie material. Also, the making-of stories are complete with every kind of move-making person improving and adding to our producer's vision, right down to salvaging the whole mess in the editing room. It's been a problem the entire time.

    Now I wonder if THX-1138 and American Graffiti have similar war-stories behind them.