Joel Schumacher's Batmen movies, especially the Clooney one, were so awful they changed the tone of superhero movies from that point on.
I watched them both very recently during an extended Arnold Schwarzenegger movie binge, and it's absolutely worth hate-watching them again for the sheer wonkiness and absurdity of... everything. Try tallying the Dutch angles. And girl power platitudes.
Thor: Love and Thunder felt like it was written by a Disney executive suite after they ran metrics on what test groups laughed at in Taika's other work, then amplified the lulz by 20%, and rewrote it for the 11-16 year old market.
I was old enough to see the original trilogy re-released with all the bad dumb filler George Lucas thought was necessary to complete his vision.
All the poopy squelchy gross-out CGI was obviously a crass moneygrab, but it seemed like such a reflection of the man himself that I boycotted the prequels when they came out. Then I found Red Letter Media. Fuck the prequels. Fuck that creepy bastard. Han shot only.
If "anyone can talk to god, you don't need all the ceremony" can turn into the Catholic Church et al for 1,900+ years, I don't think they're gonna read for comprehension on inclusion.
Joel Schumacher's Batmen movies, especially the Clooney one, were so awful they changed the tone of superhero movies from that point on.
I watched them both very recently during an extended Arnold Schwarzenegger movie binge, and it's absolutely worth hate-watching them again for the sheer wonkiness and absurdity of... everything. Try tallying the Dutch angles. And girl power platitudes.