I do the same with yt-dlp, though mine is still a little more manual. I have my subscriptions in FreeTube, which I use to select what I want to watch. Copy the link, run my script, then trundle to the lounge where I can watch them on my big TV.
There's a mindfulness to that process that's helpful to me. A conscious decision, as opposed to mindlessly absorbing content.
There's a lot to be said for stepping back from online debates and asking whether your voice is actually valuable, or whether you're just yelling into the void and getting yourself all pissy.
For me, I try to take the view that there's already enough negativity, so I try to be as positive as I can in my online interactions. If someone gets needlessly arsey with me, I'll try to sympathise with them. If they don't react well to that, I'll leave the thread. I'm not changing anyone's mind, not even yours.
I don't use iOS any more, but I found that a combination of Safari + adblocker + Vinegar was the golden setup. No ads, and you get to use the default iOS video player.
Perhaps it's because I'm old, but I kinda hit a wall a few years back where I stopped giving a shit about what famous people had to say on the internet. So on that basis, the move from Twitter to Mastodon was easy for me. Less easy was leaving behind people who I liked, but life is change, and we leave people behind all the time.
Yeah man, that shit can be hard and time consuming.
I used to do a podcast. Each episode was around 12 minutes. I'd spend a good eight hours a week on those 12 minutes, around my actual job, and would get about ten people listening. And you know that within half an hour of hearing it, they've forgotten it and moved on to the next thing in their queue. It's hard to maintain enthusiasm for that.
Start with their second album, We Live Here. It's got some incredible, visceral punk on it. The Price of Life, and Humble As the Sun are top notch, but a touch more polished.
Thing is, afaik, the BBC has nothing to do with booking the artists. They just broadcast the sets and hold them on the iPlayer for a month after. Kneecap (and Bob Vylan) were booked by the Glastonbury organisers.
I do the same with yt-dlp, though mine is still a little more manual. I have my subscriptions in FreeTube, which I use to select what I want to watch. Copy the link, run my script, then trundle to the lounge where I can watch them on my big TV.
There's a mindfulness to that process that's helpful to me. A conscious decision, as opposed to mindlessly absorbing content.