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Posts
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616
Joined
2 yr. ago

  • your argument doesn't really disprove the topic of this discussion.

    Topic of Discussion

    I don't know if Stockholm Syndrome exists for hostages held at gunpoint.

    Stockholm syndrome doesn't require being held at gun point.

    The real issue is people behaving irrationally according to you. If you were in this situation, you would done the rational thing. Therefore, they must be irrational. They are, I'm part, to blame for their situation.

    But this is all predicted on your value system and not theirs. Stockholm syndrome doesn't take into account their story and what convinced them to behave the way they did. It a heavy hand that decontextualizes events and removes victims agency. Accounting for these may still reveal something worth addressing for a smaller subset of victims who are trauma bonded, but it should patiently and diligently center and empower the voices of victims and not dismiss them as irrational

  • Puck from Gargoyles decided to mimic the most serious person he could find and serve a billionaire. All because he thought it would be hilarious. This is chaotic neutral. This continues to blow my mind.

  • I'd like to try Linux with minimal commitment and no setup. Give it real test drive with some of my most important tools.

    If and when I decide to make the switch, I want to have access to my normal windows machine. I'd keep it around if I need it. But prefer if it went away slowly. I want to work with and communicate with windows users with neither of us having to jump through weird hoops.

    I want my printer to work.

    Problems will come up, but I don't want it to dominate my time.

    I'm sure most of you will say not to worry, but until I've logged some real hours, I will.

  • Requiem for a Dying Planet was the sound scape for Werner Herzog's Wild Blue Yonder. A brilliant film backed by this album, I feel that the album stands on its own.

    This recording brings together three very disparate elements into a synergistic whole. They are Ernst Reijseger’s cello, the choral singing of the Sardinian group Tenore e Cuncordu de Orosei and the soaring vocals of Senegalese singer Mola Sylla. Each is a singular expression of music from widely differing traditions; together, they’re indescribable.

    Requiem For a Dying Planet is not the anticipated death song for the earth, this music is dedicated to this wonderful planet and the beauty of living which could be heavenly if religions would not exist.”

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