It’s not an urban myth at all that Tom Paris was a renaming of Nick Locarno.
Kirsten Beyer (now a senior producer in the Secret Hideout shows) verified this point with Jeri Taylor (creator of Voyager) back when Kirsten was writing the Voyager Full Circle Treklit books. It’s covered in an afterward. Doubt that would have been cleared for publication if not true.
That said, whatever the meta situation, onscreen canon can be whatever the current EPs want. So, I’m curious where they’ve decided to take this.
Transporter technology constantly evolves across all the series and eras.
So in the 32nd century, yes they do just use the transporters built in their com badges to zip around the internal volume of the ship, but there are protected areas. The Transporter room is more like a formal entry.
In TOS, internal site to site transport was dangerous, so only used in emergencies. You’ll note that they almost always transport to outdoor locations.
In TNG, less dangerous but not generally enabled. Used under emergency or ideal conditions only. There are a lot of situations on planets where portable pattern enhancers are used to improve functionality and safety - kind of a take it with you transporter pad set up.
Vic Fontaine also experienced the ‘left running constantly with no shutdowns’ that the EMH did, and his actual behaviour didn’t really go that far off base programming.
Great take. How many people who are not deaf or hard of hearing really read nonverbal communication as well as they do (excepting hearing kids raised in Deaf families).
There are some super rare elements, structures and materials that cannot be replicated.
These unreplicatable ones become the most valuable. Likewise, the value of original or unique sentient-being created artifacts.
Conversely, the value of things that can be replicated is effectively reduced to the energy cost, give or take transportation costs for items that can only be replicated in large industrial replicators.
Energy cost becomes the key value. Not a problem generally, but in a constrained environment like a starship at maximum warp over long periods (e.g., Voyager’s first years in the Delta Quadrant), it can require rationing of replicator usage. (Holodeck had a separate and incompatible power source.)
The most widely known example of an element that can’t be replicated is latinum, which replaced gold as a measure of value. Gold is replicatable but latinum is not.
Other examples include dilithium crystals needed to regulate warp core reactions and benamite crystals needed for the quantum slipstream drive.
Some materials that cannot be replicated in the 23rd century can be otherwise created in the 24th century. The technology progresses through time in-universe.
I believe there was a post or file at the old place that listed all the canonically identified unreplicatable materials. It might be one to bring forward to c/DaystromInstitute. @khaosworks@startrek.website can you weigh in please?
As others have said, we haven’t seen many of these kind of recounting experiences episodes, but in this transition season it feels like we’re owed one.
While we could have just seen more of the main four leading others in B & C plots, this allowed them and us to take stock of their progress as leaders - except Tendi, but I think we saw a different angle on leadership from her on Orion.
It would have been a year had the third season gone into production May 2nd as originally scheduled. But with production on hold until the actors contract is settled, and a year for post after, we’ll be lucky to see it in late 2024.
Gaia Violo who wrote the pilot and is coexecutive producer was co-creator and senior writer on the thriller ‘Absentia.’
Noga Landau (sharing showrunner credit with Kurtzman) worked as a senior writer with Henry Alonso Myers (coshowrunner of SNW) when he was the showrunner of The Magicians. Then she went on to write the became showrunner of recent Nancy Drew show, giving it some supernatural vibes and storylines.
So, with those two, I was expecting a more mysterious, even thrillerish. Putting Tawny Newsome in the room will definitely lighten it up somewhat.
If Discovery is any benchmark, once the show is in production, Kurtzman will leave the day to day show running to Landau and whomever will be the supervising director EP in Toronto. He’ll review and approve scripts and be more involved in post.
At this point one has to question whether Paramount is unwilling to have women showrunners take the helm on their own. Kim and Lippoldt ended up having a guy tacked on as a 3rd coshowrunner for S31, then with all the delays, they moved on to run things successfully on their own at Netflix with ‘Sweet Tooth.’
StillPaisleyCat @ StillPaisleyCat @startrek.website Posts 85Comments 808Joined 2 yr. ago
This instantly made go right to wanting to fancast a new younger Kevin.
Introducing Irish actor Finonn O’Shea folks.