Go to bed early on April 19th. Wake up at 4:20 AM. Have a lil' wake and bake. Get kitted up and go for a nice wander, listening to some sweet tunes, maybe hit a trail for a bit, etc. Meander your way to the brunch place, preferably an all-you-can-eat affair, around opening time. Have one more bowl/joint. If AYCE, make the owner regret their business model. Spend the rest of the day in a food coma watching stupid movies.
Primarily the audience. The artist can approach a project with a certain set of ideas, precepts, and motivations, and attempt to communicate something, but the interpretations of the audience supercede that IMO.
That said, different levels of engagement inform different interpretations. For instance, there're folks who watched Starship Troopers that didn't understand it was satire until they listened to the director's commentary. Knowing this does impact an audience's interpretation when engaging with the work - all of a sudden, certain things lend themselves to closer consideration. But the audience still brings their own experiences, sociocultural context, and ideas to a work of art. Over time, it is the audience's interpretations that carry on as people share that experience.
Ideally, a work stands on its own without reference to paratext/the creator's claims. But those can play a part in informing your own interpretation.
My two cents: Imagine you're writing a polite (or not) note to your neighbour about something they or one of their family members is doing that is causing harm to your neighbourhood.
State what you don't like, why you don't like it and implications, preferred paths forward, and outcome you'd like to see. If you know what your 'neighbour' campaigned on/the rhetoric they used, particularly if you voted for them, you can reference that (for example, "The Elbows Up movement united Canadians at a time of great uncertainty. It is incredibly discouraging to watch our representatives drop their guard against US interests with no regard for, and active hostility to, the interests of Canadians." or whatever).
If you want, you can close with the suggestion that should you feel they are not adequately advancing your interests as a constituent, they will not have your support in the next election. Taking from the neighbour analogy, think "If you don't shape up, we'll take this to the HOA (your fellow constituents) and kick your ass out."
How much good does this all ultimately do? Depends on who you ask, really. But as a Canadian you have the right to express your opinions and concerns to those who represent you in government - so say what you want heard. No matter the impact, it's better than silence.
My kid used to love going for walks in the woods with me.
One day we came across one of these mating balls, and they had never seen a garter snake before. Despite my assurances that these are literally one of the most harmless things you can find in the woods, my kid has never willingly accompanied me for hikes since.
This is a pretty specific usage of the word trip. Most of the time when people say it, they mean they had an above-threshold psychoactive experience (usually in the context of psychedelics). Don't get me wrong, depending on what and how much you take you can certainly trip and find yourself doing that stuff. But many people use 'trip' or 'tripping' to describe experiences that don't reach that point.
You sound experienced, so I'm curious how you landed on this definition of trip/tripping and what you called your experiences instead (if you use a casual term at all).
The differences are subtle, but important:
-Donair sauce is sickly sweet (imo, I hate donair sauce) and made with condensed milk.
-The spices used on the meat are different.
It's a good question, though - I've always associated donair with Halifax, and shawarma with Ottawa (it's more a ubiquity thing than anything else). Does any Canadian city lay claim to the gyro?
This is how we explain storm watches v. storm warnings, for reference:
Edit: Second choice would be a Killaloe Sunrise and an Old Style Pilsner. Both are ok, on the simpler side, and people often loudly argue that the fancier alternatives with more toppings and complexity are better.
Obviously still not realistic, but I feel like the super-imposed text thing some TV shows/movies have done more recently works, so long as you create a sense of tension/time crunch.
Toss in some red text and error messages once and a while in front of a dude sweating with dramatic music in the background, and it gets the point across.
I mean, call it whatever, it really doesn't matter that much, but why not pop punk? Seems to be the more common label, and easily extended to non-US bands like Sum41, Gob, etc.
[/big s - these days I just assume they got it at Goodwill/Value Village or something and thought it was a good price for a t-shit. Best reaction if it's a band you're into is dropping some good intro tracks - invite people in]
