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2 yr. ago

  • He is downplaying other social and economic factors putting incredible strain on American families, and his flippant remark about the Obama years is kind of ignorant.

    Yes, the economy was steadily improving. But it was still terrible. Millions of people had just lost their homes, millions more lost their jobs as unemployment skyrocketed from 5% to over 10%, millions lost their life’s savings with some seeing as much as 30 or 40% of their entire nest egg wiped out in a matter of months. A few years of economic growth did not suddenly make all that go away, it just meant it was getting better. That doesn’t even begin to cover the two wars in the Middle East that were going terribly and drawing more and more concern from the American public as we sent countless young people to fight for a vague notion of democracy no one believed anymore in two counties that didn’t want us around.

    Either he is being so reductionist as to be dishonest, or he is ignorant.

  • If you buy on an exchange and don’t transfer to your wallet no you do not own it. Until it’s in your wallet, it’s theirs. They will transfer it to you when you call for it. THEN it’s yours.

    Not your keys, not your crypto.

  • The MPAA and record labels 1000% assume that everything you “buy” is a limited license. We can argue all day about what it functionally means - legally or otherwise

  • It’s becoming another culture war thing yes because he’s starting to pivot towards a more right leaning audience it seems

  • Context: John Haidt recently published a book called The Anxious Generation. I have not read it, but it has been critiqued as being too reductionist and too strict in its interpretation of the issue, as well as too alarmist.

    He seems very defensive in this rebuttal. I encourage everyone to read the Nature article he is responding to. Again, I haven’t read the book, but this article is just contributing to my suspicions that maybe his work is more flawed than he’d like to admit.

    He recently went semi-viral via The Wall Street Journal and the right seems to be latching on to him pretty hard for a “personal responsibility” argument as well.

    His second point in his rebuttal is particularly eyebrow raising.

  • It’s bullshit but it’s reality. That’s the entire problem.

  • I never said it was unethical. I said it violates the license,which it does.

    Do I think it’s bullshit? Absolutely. Do not paint me as anti-consumer, anti-ownership, or even anti-piracy. I’m saying what reality is.

    We don’t own shit when it comes to music and movies and that’s a serious problem. Arguing with me doesn’t change that. I am saying we need to fix this.

  • You chose funny examples because a lot of people basically own a “license“ of those things and don’t even know it. Especially if they’re using a crypto exchange. They don’t own shit

  • Subscribe to netflix, put up flyers that you are streaming all of Ozark all week for free at your house. Then tell Netflix that you’re doing it. Let me know what happens.

    Try it with a blu-ray and alert the copyright holder. Try it with a CD of your favorite album and alert the record company. Again: free, at your home, your physical or digital media you “own.” See what happens.

  • Read the fine print on your DVD’s/CD’s and you’ll see he’s right. The MPAA and record labels 1000% assume that everything you “buy” is a limited license. We can argue all day about what it functionally means - legally or otherwise - but that’s just the truth man.

    Let me ask you this: if you “own“ your movie, choose whatever format you like: Why do you have to pay a fee to screen it to multiple people if everyone isn’t physically in your home and only to your family? It’s not like my cell phone stops being my property when I leave my house.

    It’s because it’s a limited license delivered in a physical format.

    U.S. Copyright law requires that all videos displayed outside of the home, or at any place where people are gathered who are not family members, such as in a school, library, auditorium, classroom or meeting room must have public performance rights. Public performance rights are a special license that is either purchased with a video or separately from the video to allow the video to be shown outside of personal home use. This statute applies to all videos currently under copyright. This includes videos you have purchased, borrowed from the library, or rented from a video store or services like Netflix.